"The Armed Man - A Mass For Peace: V. Sanctus" by Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Neil Percy was released on 2001. Since The Armed Man - A Mass For Peace: V. Sanctus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Armed Man - A Mass For Peace: V. Sanctus's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Armed Man - A Mass For Peace: V. Sanctus by Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Neil Percy having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Peter Donohoe, David Curtis, Orchestra of the Swan | D♭ Major | 0 | 3B | 111 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
In These Stones Horizons Sing: I. Agorawd [Overture] Part I: Cân yr Alltud [The Exile Song] | Karl Jenkins, Adiemus, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Bryn Terfel, Nigel Hitchcock, Catrin Finch, Timothy Rhys-Evans | C Major | 3 | 8B | 149 BPM | ||
Turandot / Act 2: "Gravi, enormi ed impotenti" | Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 62 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | ||
Foulds : Keltic Suite Op.29 : II Lament | John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo | D Major | 0 | 10B | 83 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Suite in D Minor, HWV 437: I. Sarabande | George Frideric Handel, Caroline Dale | D Minor | 2 | 7A | 130 BPM | ||
Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM |