Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra made "Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion)" available on April 30, 1993. Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 2 out of 22 in Elgar/Holst - Orchestral Works by Sir Adrian Boult. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) by Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Symphony No.1 in A flat, Op.55: 3. Adagio | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | F Minor | 0 | 4A | 84 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Parsifal: Prelude to Act I | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | A♭ Minor | 0 | 1A | 87 BPM | ||
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) | Edward Elgar, London Philharmonic Orchestra, Andrew Davis | D Major | 5 | 10B | 119 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E♭ Major | 3 | 5B | 57 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |