"Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture" by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra was released on April 26, 2024. The duration of Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir's "Jurowski conducts Stravinsky, Vol. 3 (Live)" album is number 1 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
L'Olimpiade: Sinfonia | Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 94 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Lieder ohne Worte VIII, Op. 102: V. Allegro vivace, MWV U194 "The Joyous Peasant" | Felix Mendelssohn, Howard Shelley | A Major | 1 | 11B | 138 BPM | ||
Pulcinella Suite: III. Scherzino - Allegro - Andantino | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | C Major | 1 | 8B | 124 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 2 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
The Firebird - Je des Princesses avec les Pommes D'Or (Scherzo) | Igor Stravinsky, BBC National Orchestra Of Wales, Thierry Fischer | D Major | 1 | 10B | 80 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM |