"Piano Concerto No. 2 in F Major, Op. 102: II. Andante" by Dmitri Shostakovich, Peter Donohoe, David Curtis, Orchestra of the Swan was released on October 6, 2017. Since Piano Concerto No. 2 in F Major, Op. 102: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Shostakovich: Piano Sonatas Nos. 1-2 & Piano Concertos Nos. 1-2". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piano Concerto No. 2 in F Major, Op. 102: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Peter Donohoe, David Curtis, Orchestra of the Swan having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luminous (From “Perfect Sense”) | Angèle Dubeau, La Pietà | E Major | 3 | 12B | 92 BPM | ||
Best Endeavours | Barrington Pheloung | C Major | 2 | 8B | 132 BPM | ||
Small Town | Peter Sculthorpe, Sydney Symphony Orchestra, Stuart Challender | F Major | 1 | 7B | 138 BPM | ||
Fair Albion | Patrick Hawes, Prague Symphony Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Jazz Suite No. 2: Lyric Waltz | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 1 | 5A | 80 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Joshua Bell, Academy of St. Martin in the Fields | F♯ Major | 3 | 2B | 133 BPM | ||
Invocation | William Lloyd Webber, Richard Hickox, City of London Sinfonia, Skaila Kanga | A Minor | 1 | 8A | 173 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Petite suite de concert, Op. 77: III. Un Sonnet d'Amour | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | A Major | 0 | 11B | 166 BPM | ||
Here Comes The Sun | Miloš Karadaglić | A Major | 3 | 11B | 141 BPM |