"Foulds : Keltic Suite Op.29 : II Lament" by John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo was released on March 1, 2006. With this song being about 5 minutes long, at 4:42, "Foulds : Keltic Suite Op.29 : II Lament" by John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 10 in Foulds : Dynamic Triptych, Music-Pictures III & Orchestral Miniatures by John Foulds, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Foulds : Keltic Suite Op.29 : II Lament is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Foulds : Keltic Suite Op.29 : II Lament by John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Venus - Die Planeten | Gustav Holst, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 0 | 3A | 59 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 24, Air. "In Native Worth" (Uriel) | Joseph Haydn, Sir Simon Rattle, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Bugeilio'r Gwenith Gwyn - Arranged by John Rutter: Bugeilio'r Gwenith Gwyn | Traditional, Catrin Finch, Kia Bennett | D♭ Major | 0 | 3B | 113 BPM | ||
Danses for Harp & Strings, L. 103: Danse profane | Claude Debussy, Xavier De Maistre | D Major | 1 | 10B | 113 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Daniele Gatti, Orchestre National De France | B Major | 0 | 1B | 88 BPM |