"Adam Zero: Approach of Autumn" by Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones was released on June 4, 1996. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 21 in Bliss: Colour Symphony (A) / Adam Zero by Arthur Bliss, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Adam Zero: Approach of Autumn's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adam Zero: Approach of Autumn by Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Variations on a Theme by Hindemith: Var. II: Allegramente | William Walton, English Northern Philharmonia, Paul Daniel | B Major | 4 | 1B | 132 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4c, Pas de trois. Allegro semplice - Presto | Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra | B Major | 3 | 1B | 132 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
Adam Zero: Adam's Fates | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 3 | 7A | 118 BPM | ||
Koanga, Act II: Closing Scene (arr. T. Beecham) | Frederick Delius, Susannah Glanville, Susan Lees, Irene Evans, Sarah Francis, Sue Pearce, Shirley Thomas, English Northern Philharmonia, David Lloyd-Jones | D♭ Major | 0 | 3B | 137 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Things to Come - Suite: Prologue | Arthur Bliss, National Philharmonic Orchestra, Bernard Herrmann | F Major | 2 | 7B | 142 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act III: No. 15, Scene. March - Allegro giusto | Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra | B Major | 3 | 1B | 132 BPM | ||
Adam Zero: The Stage | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | B Major | 0 | 1B | 84 BPM |