William Walton, English Northern Philharmonia, Paul Daniel's 'Variations on a Theme by Hindemith: Var. II: Allegramente' came out on March 15, 1999. With Variations on a Theme by Hindemith: Var. II: Allegramente being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Spitfire Prelude and Fugue / Sinfonia Concertante / Hindemith Variations by William Walton, Paul Daniel. The song's track number on the album is #7 out of 17 tracks. Based on our statistics, Variations on a Theme by Hindemith: Var. II: Allegramente's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Variations on a Theme by Hindemith: Var. II: Allegramente by William Walton, English Northern Philharmonia, Paul Daniel has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Variations on a Theme by Hindemith: Var. II: Allegramente being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Ravel / Arr. Grainger: Miroirs, M. 43: V. La vallée des cloches | Maurice Ravel, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D♭ Major | 0 | 3B | 140 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
Valse lente | Germaine Tailleferre, Dario Müller | A Major | 0 | 11B | 67 BPM |