Fela Sowande, Chicago Sinfonietta, Paul Freeman's 'African Suite: V. Akinla: Allegro non troppo' came out on January 1, 2000. The duration of African Suite: V. Akinla: Allegro non troppo is about 3 minutes long, at 3:14. Based on our data, "African Suite: V. Akinla: Allegro non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 12 in African Heritage Symphonic Series, Vol. 1 by Chicago Sinfonietta. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, African Suite: V. Akinla: Allegro non troppo's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of African Suite: V. Akinla: Allegro non troppo by Fela Sowande, Chicago Sinfonietta, Paul Freeman is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltzing Matilda (Arr. Koncz) | Traditional, Ray Chen, Made in Berlin | D Major | 2 | 10B | 131 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O 7: II. Andante | Felix Mendelssohn, Anton Kuerti, London Philharmonic Orchestra, Paul Freeman | F Major | 0 | 7B | 93 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro (3) | Ludwig van Beethoven, Derek Han, Berliner Symphoniker, Paul Freeman | C Major | 1 | 8B | 111 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio (6) | Ludwig van Beethoven, Derek Han, Berliner Symphoniker, Paul Freeman | G Major | 0 | 9B | 68 BPM | ||
Piano Concerto No. 9 In E Flat Major K271 'Jeunehomme': Rondeau, Presto | Paul Freeman, Wolfgang Amadeus Mozart, Bob Auger, Antony Hodgson, Philharmonia Orchestra, Derek Han | E♭ Major | 1 | 5B | 75 BPM | ||
African Suite: IV. Danse Negre | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | D Minor | 0 | 7A | 74 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Mass in B-Flat Major: Credo. Et resurrexit tertia die | Jan Václav Vorísek, Patrice Michaels, Tami Jantzi, William Watson, Peter Van De Graaff, Prague Chamber Choir, Czech National Symphony Orchestra, Paul Freeman | B♭ Major | 2 | 6B | 96 BPM |