"Sonata No. 4 in C minor for recorder & b.c. – Tendrement" by Charles Buterne, László Rózsa, Jonathan Rees, Alex McCartney was released on October 20, 2018. The duration of Sonata No. 4 in C minor for recorder & b.c. – Tendrement is about 3 minutes long, at 3:00. Based on our data, "Sonata No. 4 in C minor for recorder & b.c. – Tendrement" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Rondeau Mélancolique". In this album, this song's track order is #20. Sonata No. 4 in C minor for recorder & b.c. – Tendrement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata No. 4 in C minor for recorder & b.c. – Tendrement by Charles Buterne, László Rózsa, Jonathan Rees, Alex McCartney having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
III. Grave | Carlo Arrigoni, Artemandoline | D♭ Major | 1 | 3B | 79 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | N/A | N/A | N/A | 0 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Recercada quarta la Gamba | Diego Ortiz, Mika Suihkonen | D♭ Minor | 2 | 12A | 93 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Sonata No. 4 in C Minor, Op. 2: I. Tendrement | Charles Buterne, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | E Major | 1 | 12B | 121 BPM | ||
Sonata IX in Do Magg.: III. Adagio | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | A♭ Minor | 0 | 1A | 84 BPM |