Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset made "The Lady of Sussex Delight" available on September 22, 2014. With The Lady of Sussex Delight being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset's "Hume: "Harke, Harke!" Lyra Violls Humors & Delights" album is number 1 out of 25. On top of that, France appears to be the country where this track was created. In terms of popularity, The Lady of Sussex Delight is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Lady of Sussex Delight by Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude Feuer | Marthe Perl, Hille Perl | D♭ Major | 0 | 3B | 107 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Cello Sonata in G Major: I. Grave | Domenico Gabrielli, Les Basses Réunies, Bruno Cocset | F♯ Major | 1 | 2B | 80 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre la cancion "Doulce memoire" | Diego Ortiz, Pierre Sandrin, Bruno Cocset, Guido Balestracci, Les Basses Réunies | C Major | 1 | 8B | 95 BPM | ||
The Passion of Musick | Tobias Hume, Dorothee Oberlinger | G Minor | 0 | 6A | 136 BPM | ||
Sonata in E Major, Op. 5, No. 11 (version for viola da gamba and basso continuo): I. Preludio: Adagio | Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Eguez, Gaetano Nasillo, Massimiliano Raschietti | E Major | 2 | 12B | 131 BPM |