Charles Buterne, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer made "Sonata No. 4 in C Minor, Op. 2: I. Tendrement" available on January 1, 1995. The duration of Sonata No. 4 in C Minor, Op. 2: I. Tendrement is about 3 minutes long, at 3:00. Based on our data, "Sonata No. 4 in C Minor, Op. 2: I. Tendrement" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 245 in the song's album "Recorder Recital: Schneider, Michael - Handel, G.F. / Telemann, G.P. / Barsanti, F. / Scarlatti, A. / Sammartini, G. / Mancini, F. / Castrucci, P.". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, Sonata No. 4 in C Minor, Op. 2: I. Tendrement's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sonata No. 4 in C Minor, Op. 2: I. Tendrement by Charles Buterne, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer having a テンポ of 121 with a half-time of 60 テンポ and a double-time of 242 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
A New Irish Tune, Z. 646: "Lilliburlero" | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Duncan cello set: II. Archibald MacDonald of Keppoch | Lucia Capellaro | D♭ Major | 1 | 3B | 147 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: III. Allegro assai | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 137 BPM | ||
Violin Sonata No. 2 in F Major: I. — | Gottfried Finger, Veronika Skuplik, Andreas Arend | E Major | 2 | 12B | 67 BPM | ||
Sonata in A Minor: III. Largo | Benedetto Marcello, Hanna Salzenstein, Thibaut Roussel | D♭ Minor | 6 | 12A | 157 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM |