Pablo Sorozábal, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino's 'La Taberna del Puerto / Act 2: "No puede ser"' came out on January 1, 1990. The duration of La Taberna del Puerto / Act 2: "No puede ser" is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. La Taberna del Puerto / Act 2: "No puede ser"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in Carreras Domingo Pavarotti in Concert by Luciano Pavarotti, Plácido Domingo, José Carreras, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta. La Taberna del Puerto / Act 2: "No puede ser" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Taberna del Puerto / Act 2: "No puede ser" by Pablo Sorozábal, Plácido Domingo, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodgers / Arr. Newman & Darby: Spring is Here: With A Song In My Heart (Live) | Richard Rodgers, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | F Major | 4 | 7B | 88 BPM | ||
Luisa Fernanda: Mazurca de las Sombrillas | Federico Moreno Torroba, Rafael Frühbeck de Burgos | C Major | 5 | 8B | 123 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Parlami d'amore, Mariù (Arr. Schifrin) - Live | Cesare Andrea Bixio, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | G Major | 2 | 9B | 77 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Ochi tchorniye - Caminito - La vie en rose- - Live | Traditional, Juan De Dios Filiberto, Louiguy, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra del Maggio Musicale Fiorentino, Orchestra Del Teatro Dell'Opera Di Roma, Zubin Mehta | D Minor | 3 | 7A | 50 BPM | ||
La Verbena de la Paloma: Preludio | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | E Major | 2 | 12B | 79 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | ||
Chotis (¡Ay, Madrileña Chulapa!) | Coro De Camara Del Orfeon Donostiarra | C Major | 2 | 8B | 119 BPM | ||
La Del Soto del Parral: Romanza: 'Ya mis horas felices' | Juan Vert, Reveriano Soutullo, Plácido Domingo, Manuel Moreno-Buendia | E Minor | 1 | 9A | 87 BPM |