"Gianni Schicchi (1987 Digital Remaster): O mio babbino caro" by Sir Charles Mackerras, London Symphony Orchestra, Montserrat Caballé was released on 2003. The duration of Gianni Schicchi (1987 Digital Remaster): O mio babbino caro is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Gianni Schicchi (1987 Digital Remaster): O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 37 in Classical Heartbreakers by Various Artists. The popularity of Gianni Schicchi (1987 Digital Remaster): O mio babbino caro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gianni Schicchi (1987 Digital Remaster): O mio babbino caro by Sir Charles Mackerras, London Symphony Orchestra, Montserrat Caballé is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Julius Caesar, HWV 17, Act II Scene 1: Lamenting, complaining of Caesar's disdaining (Cleopatra, Caesar) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson, Dame Janet Baker | G Minor | 1 | 6A | 111 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM |