"Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka]" by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti was released on January 1, 2003. Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Renée Fleming: By Request". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] by Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti having a テンポ of 176 with a half-time of 88 テンポ and a double-time of 352 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | ||
Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM |