"Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin)" by Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques was released on March 1, 2024. Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Michael Spyres, Christophe Rousset, Les Talens Lyriques, Gaspare Spontini, Giacomo Meyerbeer, Gioachino Rossini, Ludwig van Beethoven, Richard Wagner's "In the Shadows" album is number 12 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) by Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Otello: Act I: Una vela! (Chorus, Montano, Cassio, Iago, Roderigo) | Giuseppe Verdi, Aleksandrs Antonenko, Krassimira Stoyanova, Carlo Guelfi, Barbara di Castri, Juan Francisco Gatell, Michael Spyres, Paolo Battaglia, Eric Owens, David Govertsen, Chicago Symphony Chorus, Chicago Children's Choir, Chicago Symphony Orchestra, Riccardo Muti | E Minor | 0 | 9A | 169 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka | Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus Stenz | A Major | 1 | 11B | 133 BPM | ||
Thomas: Act I: Soma, Soma … (Chorus, Thomas) | Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo | A♭ Minor | 2 | 1A | 168 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Schubert : "Kennst du das Land" D321 | Franz Schubert, Barbara Bonney | F Major | 1 | 7B | 91 BPM |