"Otello: Act I: Una vela! (Chorus, Montano, Cassio, Iago, Roderigo)" by Giuseppe Verdi, Aleksandrs Antonenko, Krassimira Stoyanova, Carlo Guelfi, Barbara di Castri, Juan Francisco Gatell, Michael Spyres, Paolo Battaglia, Eric Owens, David Govertsen, Chicago Symphony Chorus, Chicago Children's Choir, Chicago Symphony Orchestra, Riccardo Muti was released on September 3, 2013. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Otello by Giuseppe Verdi, Aleksandrs Antonenko, Krassimira Stoyanova, Carlo Guelfi, Chicago Symphony Chorus, Riccardo Muti. The song's track number on the album is #1 out of 29 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Otello: Act I: Una vela! (Chorus, Montano, Cassio, Iago, Roderigo) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Otello: Act I: Una vela! (Chorus, Montano, Cassio, Iago, Roderigo) by Giuseppe Verdi, Aleksandrs Antonenko, Krassimira Stoyanova, Carlo Guelfi, Barbara di Castri, Juan Francisco Gatell, Michael Spyres, Paolo Battaglia, Eric Owens, David Govertsen, Chicago Symphony Chorus, Chicago Children's Choir, Chicago Symphony Orchestra, Riccardo Muti has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Otello: Act I: Una vela! (Chorus, Montano, Cassio, Iago, Roderigo) being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
La Forza Del Destino: Pace, Pace | Francesco Maria Piave, Miriam Gauci, Belgian Radio and Television Philharmonic Orchestra, Giuseppe Verdi | C Minor | 0 | 5A | 78 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM |