"La Traviata: "Ah, Fors'è Lui" and "Sempre Libera"" by Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland was released on August 18, 2021. Since La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland - Opera Favourites" album is number 4 out of 8. La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" by Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Offenbach: Orphée aux enfers, Act 2 Tableau 4: "Ce bal est original" (Pluton, Jupiter, Vénus, Eurydice, Chorus) | Jacques Offenbach, Marc Minkowski, Orchestre De L'Opéra National De Lyon | B♭ Major | 3 | 6B | 129 BPM | ||
Carmen: Sur les remparts de Séville | Maria Callas | C Major | 3 | 8B | 80 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina! | Wolfgang Amadeus Mozart, Patricia Petibon, Concerto Köln, Daniel Harding | F Major | 0 | 7B | 75 BPM | ||
Puccini: Madama Butterfly, Act 1: "Sorride Vostro Onore?" (Suzuki, Pinkerton, Goro, Sharpless) | Giacomo Puccini, Antonio Pappano, Enkelejda Shkosa, Fabio Maria Capitanucci, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 115 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM |