"Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina!" by Wolfgang Amadeus Mozart, Patricia Petibon, Concerto Köln, Daniel Harding was released on January 1, 2008. The duration of Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina! is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina!'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in "Amoureuses" Mozart / Haydn / Gluck, so we believe that "Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina!" is a single. Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le nozze di Figaro, K.492 / Act 4: L'ho perduta... me meschina! by Wolfgang Amadeus Mozart, Patricia Petibon, Concerto Köln, Daniel Harding is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'isola disabitata / Part 1: Fra un dolce deliro | Franz Joseph Haydn, Patricia Petibon, Concerto Köln, Daniel Harding | G Major | 1 | 9B | 113 BPM | ||
Vesperae solennes de Dominica, K. 321: II. Confitebor | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | E Minor | 1 | 9A | 116 BPM | ||
Sinfonia for Strings and Basso Continuo in C Major (From "Il Giustino RV 717"): II. Andante | Antonio Vivaldi, Concerto Köln | B Minor | 1 | 10A | 176 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Tu del ciel ministro eletto" (Bellezza) | George Frideric Handel, Natalie Dessay, Emmanuelle Haïm | E♭ Major | 0 | 5B | 169 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
Due pupille amabile, K. 439 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | C Major | 2 | 8B | 73 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM |