"Gloriana, Op. 53: Choral Dances: No. 4. Country Girls" by Benjamin Britten, The Cambridge Singers, John Rutter was released on April 24, 2012. With Gloriana, Op. 53: Choral Dances: No. 4. Country Girls being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "This is the Day: Music on Royal Occasions". In this album, this song's track order is #19. Gloriana, Op. 53: Choral Dances: No. 4. Country Girls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gloriana, Op. 53: Choral Dances: No. 4. Country Girls by Benjamin Britten, The Cambridge Singers, John Rutter having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66 / Libera me: 6b. It Seemed that out of Battle I Escaped | Benjamin Britten, Sir Peter Pears, Dietrich Fischer-Dieskau, Melos Ensemble | G Minor | 0 | 6A | 165 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM | ||
Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu | Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | E♭ Major | 2 | 5B | 101 BPM | ||
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
We Wait for Thy Loving Kindness | William McKie, Simon Wall, The Cambridge Singers, Andrew Lucas, John Rutter | D♭ Major | 0 | 3B | 128 BPM |