"Afferentur regi, WAB 1" by Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed was released on January 1, 2000. With Afferentur regi, WAB 1 being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 13 in Bruckner: Mass in E Minor / Motets by Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Afferentur regi, WAB 1 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Afferentur regi, WAB 1 by Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat mater, FP 148: Sancta Mater (Chorus) | Francis Poulenc, Marlis Petersen, SWR Vokalensemble Stuttgart, NDR Chor, Stuttgart Radio Symphony Orchestra, Stéphane Denève | C Major | 2 | 8B | 79 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Cherry Blossoms (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 6, The Marksmen | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | A♭ Major | 0 | 4B | 61 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Carmina Burana (version for soloists, choruses, 2 pianos and percussion): I. Primo vere: Ecce gratum | Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert Huber | F Major | 2 | 7B | 132 BPM | ||
Naissance de Vénus, Op. 292: IV. Les heures | Darius Milhaud, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 84 BPM | ||
Stabat Mater dolorosa (Chorus) | Francis Poulenc, Marlis Petersen, SWR Vokalensemble Stuttgart, NDR Chor, Stuttgart Radio Symphony Orchestra, Stéphane Denève | E♭ Major | 3 | 5B | 79 BPM |