"Manon Lescaut / Act 2: Minuetto" by Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. Since Manon Lescaut / Act 2: Minuetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #18. Based on our statistics, Manon Lescaut / Act 2: Minuetto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 2: Minuetto by Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia, Act 3: Aria. "Il vecchiotto cerca moglie" (Berta) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 92 BPM | ||
Don Pasquale, Act I Terza Scena: Due parole ancor di volo (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | F Major | 2 | 7B | 73 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
Andrea Chénier / Act 3: Sì, fui soldato .. Passa la vita mia | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | A♭ Major | 3 | 4B | 122 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
Puccini: Madama Butterfly, Act 2: "Povera Butterfly!" (Suzuki, Sharpless, Pinkerton) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 98 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM |