Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti's 'Don Pasquale, Act I Terza Scena: Due parole ancor di volo (Ernesto/Pasquale)' had a release date set for 1984. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. Don Pasquale, Act I Terza Scena: Due parole ancor di volo (Ernesto/Pasquale) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Pasquale, Act I Terza Scena: Due parole ancor di volo (Ernesto/Pasquale) by Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 3: "Donde lieta uscì" (Mimì) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 0 | 3B | 99 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) | Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 0 | 6B | 70 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Fiorenza Cossotto, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 103 BPM | ||
La forza del destino, Act II: Viva la buona compagnia (Don Carlo di Vargas/Preziosilla/Un Alcade/Mastro Trabuco) | Giuseppe Verdi, Giorgio Zancanaro, Dolora Zajick, Silvestro Sammaritano, Ernesto Gavazzi, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | D Major | 4 | 10B | 108 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 3: "Squilla il bronzo del Dio!" | Vincenzo Bellini, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | C Minor | 5 | 5A | 110 BPM | ||
Carmen / Act 1: Final: "Le lieutenant! Prenez garde..." | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit | D♭ Major | 0 | 3B | 175 BPM |