"Traum durch die Dämmerung" by Leo Slezak, Heinrich Schacker was released on October 1, 2006. The duration of Traum durch die Dämmerung is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Traum durch die Dämmerung's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Leo Slezak singt" album is number 23 out of 35. In terms of popularity, Traum durch die Dämmerung is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Traum durch die Dämmerung by Leo Slezak, Heinrich Schacker to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bartered Bride: ACT I, Jeník, Mařenka Jako matka požehnáním | Bedřich Smetana, Tomáš Juhás, Jiří Bělohlávek, BBC Symphony Orchestra, Dana Buresova | B♭ Major | 1 | 6B | 71 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Puccini: Turandot, Act 2: "O mondo, pieno di pazzi innamorati!" (Ping, Pang, Pong, Chorus) | Giacomo Puccini, Mario Boriello, Renato Ercolani, Piero de Palma, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Piero de Palma, Renato Ercolani, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
La forza del destino, Act IV, Scene II: Non imprecare; umiliati | Giuseppe Verdi, Riccardo Zanellato, Dinara Alieva, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A♭ Major | 2 | 4B | 87 BPM | ||
4. Fare thee well, attractive stranger | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Die Konigin von Saba (The Queen of Sheba), Op. 27: Act I: Da platschert eine Silberquelle | Karl Goldmark, Leo Slezak | E♭ Major | 2 | 5B | 81 BPM | ||
Madrigal Madrigal | Fanny Hearst | E Minor | 2 | 9A | 107 BPM | ||
Rosssini: Messa di Gloria: VIII. Qui tollis peccata mundi | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | B♭ Minor | 1 | 3A | 85 BPM | ||
Amarilli (Recorded 1939) | Francesca Caccini, Beniamino Gigli | E Minor | 0 | 9A | 77 BPM |