"Die Konigin von Saba (The Queen of Sheba), Op. 27: Act I: Da platschert eine Silberquelle" by Karl Goldmark, Leo Slezak was released on January 4, 2011. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Leo Slezak (1902-1931)" album is number 13 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Die Konigin von Saba (The Queen of Sheba), Op. 27: Act I: Da platschert eine Silberquelle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Konigin von Saba (The Queen of Sheba), Op. 27: Act I: Da platschert eine Silberquelle by Karl Goldmark, Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie, Op. 30 | Henri Vieuxtemps, Timothy Ridout, Ke Ma | F Minor | 1 | 4A | 76 BPM | ||
Orchestral Suite No. 4, Op. 61, TH 34 "Mozartiana": III. Preghiera | Pyotr Ilyich Tchaikovsky, Sinfonieorchester Aachen, Christopher Ward | D Major | 5 | 10B | 140 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
Serenade for Strings in C, Op.48: 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Bavarian Radio Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 109 BPM | ||
Romance | Fyodor Biryuchev | C Major | 2 | 8B | 93 BPM | ||
Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
The Rain of Lights | John Van Geem | D♭ Major | 3 | 3B | 99 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: II. Andante | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | E Major | 0 | 12B | 86 BPM |