"Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro" by William Boyce, Aradia Ensemble, Kevin Mallon was released on May 1, 2005. With this song being about 5 minutes long, at 4:56, "Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro" by William Boyce, Aradia Ensemble, Kevin Mallon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 21 out of 23 in Boyce: Symphonies Nos. 1-8, Op. 2 by William Boyce. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro by William Boyce, Aradia Ensemble, Kevin Mallon is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony display | William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox | B Minor | 0 | 10A | 97 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": II. Moderato | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 135 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 79 BPM | ||
Ottone, re di Germania, HWV 15: Overture: II. Allegro | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | E♭ Major | 1 | 5B | 78 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
Theodora, HWV 68, Overture: Trio | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 1 | 10B | 89 BPM | ||
Abdelazar Suite, Z. 570: IX. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Armonico No. 3 in A Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 84 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: II. Largo | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Minor | 3 | 12A | 67 BPM |