"Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony display" by William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox was released on January 1, 2000. The duration of Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony display is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony display's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 30 in Boyce: David's Lamentation over Saul and Jonathan by William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony display is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ode on St Cecilia's Day 'The Charms of Harmony Display': 2. Chorus: The Charms of Harmony display by William Boyce, Patrick Burrowes, William Purefoy, Andrew Watts, Richard Edgar-Wilson, Michael George, Choir of New College, Oxford, Hanover Band, Caroline Brown, Pavlo Beznosiuk, Graham Lea-Cox is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Alleluia - SABar | Alan Bullard, William Boyce, Oxford University Press, The Oxford Choir, Joseph Nolan, Bob Chilcott | C Major | 1 | 8B | 134 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM |