"Alleluia - SABar" by Alan Bullard, William Boyce, Oxford University Press, The Oxford Choir, Joseph Nolan, Bob Chilcott was released on 2008. With Alleluia - SABar being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Oxford Book of Flexible Anthems". In this album, this song's track order is #1. Based on our statistics, Alleluia - SABar's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alleluia - SABar by Alan Bullard, William Boyce, Oxford University Press, The Oxford Choir, Joseph Nolan, Bob Chilcott having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Action in War | James Wong | E♭ Major | 1 | 5B | 83 BPM | ||
sabro de mi | mantekito loko | G Minor | 1 | 6A | 180 BPM | ||
Song to the Moon - Upper voices | Traditional, Alan Bullard, Oxford University Press, The Oxford Choir, Bob Chilcott | E♭ Major | 1 | 5B | 82 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Blandine Waldmann | F Major | 3 | 7B | 92 BPM | ||
Four Little Pieces For Piano Duet: 2. Sea Chant | Peter Sculthorpe, Viney–Grinberg Piano Duo | G Minor | 0 | 6A | 73 BPM | ||
Pictures from Bashu (arr. Yi-Wen Jiang for flute, violin, viola and cello): No. 1. Morning Song | Hu-Wei Huang, Yi-Wen Jiang, Eugenia Zukerman, Shanghai Quartet | A Minor | 0 | 8A | 131 BPM | ||
Message from Uunam | Anime Zing | D♭ Minor | 2 | 12A | 96 BPM | ||
25 Études faciles et progressives, Op. 100: No. 19, Ave Maria | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18. Andante cantabile (Transcr. for Piano Solo by Michael R. Loveridge) | Katya Kramer-Lapin | E Minor | 2 | 9A | 112 BPM | ||
Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | C Minor | 1 | 5A | 73 BPM |