"Sei Concerti in sette parti: No. 3 in F Major: II. Largo" by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa was released on November 11, 2016. With Sei Concerti in sette parti: No. 3 in F Major: II. Largo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 37 in Concertos and Opera Overtures by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa. Sei Concerti in sette parti: No. 3 in F Major: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sei Concerti in sette parti: No. 3 in F Major: II. Largo by Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 4 in D Major, WoO 4: III. Grave | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Concerto No. 3 in B Minor, SF 937 "La Cetra": I. Andante larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | B♭ Minor | 1 | 3A | 100 BPM | ||
Al fragor di lieta tromba: E viva, viva, viva (Coro) | Alessandro Scarlatti, Alessandro Stradella Consort, Ars Cantica Choir, Estevan Velardi, Marco Berrini, Anna Chierichetti, Marco Lazzara, Riccardo Ristori | A♭ Minor | 1 | 1A | 87 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM | ||
6 Concerts transcrits en sextuor / 3e Concert: 1. La Poplinière | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM |