Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor made "La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso" available on 2010. With La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Pergolesi : La serva padrona". In this album, this song's track order is #1. Based on our statistics, La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso by Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinphonia No. 4 for Strings & Continuo in B-Flat Major, Op. 1.8: II. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Minor | 2 | 9A | 126 BPM | ||
La serva padrona, intermezzo primo: Aria uberto | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | A Major | 1 | 11B | 118 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
6 Concerti Armonici / No. 5 in F Minor: IV. A tempo giusto | Unico Wilhelm van Wassenaer, I Musici | E♭ Major | 3 | 5B | 115 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: II. Largo | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Minor | 3 | 12A | 67 BPM | ||
Oboe Concerto in G minor, BWV 1056: Presto | Johann Sebastian Bach, Hans-Peter Westermann | A Major | 2 | 11B | 122 BPM | ||
Symphony in D Major, J-C 14: I. Allegro | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | C Minor | 2 | 5A | 94 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concerto For Oboe And Orchestra In G Major: 3. Allegro | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 133 BPM |