"Sunrise Serenade, Op. 63" by Aulis Sallinen, Hanna Juutilainen, Mats Rondin, Finnish Chamber Orchestra, Okko Kamu was released on March 12, 1997. Since Sunrise Serenade, Op. 63 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Sallinen: Works for String Orchestra (Complete)". In this album, this song's track order is #3. Sunrise Serenade, Op. 63 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sunrise Serenade, Op. 63 by Aulis Sallinen, Hanna Juutilainen, Mats Rondin, Finnish Chamber Orchestra, Okko Kamu having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Gerhard Stolze, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 136 BPM | ||
Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B Major | 4 | 1B | 84 BPM | ||
Messa di Requiem: Lux aeterna | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Major | 1 | 6B | 86 BPM | ||
Stabat Mater: III. Quis est homo (Duet) | Gioachino Rossini, Howard Arman | E Major | 1 | 12B | 78 BPM | ||
Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" | Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 80 BPM | ||
Lieder eines fahrenden Gesellen: Gieng heut' Morgen über's Feld | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM |