"Stabat Mater: III. Quis est homo (Duet)" by Gioachino Rossini, Howard Arman was released on August 10, 2018. Stabat Mater: III. Quis est homo (Duet) is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Rossini: Stabat Mater". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Stabat Mater: III. Quis est homo (Duet) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: III. Quis est homo (Duet) by Gioachino Rossini, Howard Arman having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
La Bohème / Act 1: Sì. Mi chiamano Mimì | Giacomo Puccini, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence | B♭ Major | 1 | 6B | 137 BPM | ||
Mosè in Egitto / Act 1: No. 1 Introduzione: "Ah! Chi ne aiuta! Oh ciel!" | Gioachino Rossini, Philharmonia Orchestra, Claudio Scimone, Siegmund Nimsgern, Ernesto Palacio, Zehava Gal, Ambrosian Opera Chorus | D Major | 1 | 10B | 93 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" | Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber | G Minor | 2 | 6A | 79 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM | ||
Tristan und Isolde: Act I Scene 3: O Wunder! Wo hatt' ich die Augen? (Brangane, Tristan) | Richard Wagner, Wolfgang Millgramm, Lennart Forsen, Hedwig Fassbender, Gunnar Lundberg, Magnus Kyhle, Martina Dike, John Erik Eleby, Ulrik Qvale, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Leif Segerstam | B Major | 1 | 1B | 141 BPM |