Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri's 'Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro)' came out on 1996. With Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #9. In terms of popularity, Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Madama Butterfly, Act 1: "Quale amania vi prende!" (Pinkerton, Sharpless, Goro, Chorus) | Giacomo Puccini, Nicolai Gedda, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | B♭ Major | 3 | 6B | 86 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Ferruccio Furlanetto, Paul Plishka, Michael Forest, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | E♭ Major | 2 | 5B | 124 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Crudel! perchè finora" | Wolfgang Amadeus Mozart, Thomas Hampson, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | A Major | 1 | 11B | 125 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Chi è" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | ||
Lucia di Lammermoor / Act 1: "Cruda, funesta smania" | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | G Major | 2 | 9B | 170 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
La traviata / Act 2: "Alfredo! Voi!" | Giuseppe Verdi, Luciano Pavarotti, Anthony Laciura, Wendy White, Julien Robbins, Jeffrey Wells, Metropolitan Opera Orchestra, James Levine | E♭ Major | 2 | 5B | 102 BPM | ||
Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?" | Gioachino Rossini, Teresa Berganza, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 2 | 9B | 101 BPM | ||
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM |