"Die Dreigroschenoper: Melodram / Pollys Lied" by Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe was released on March 29, 1999. The duration of Die Dreigroschenoper: Melodram / Pollys Lied is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Die Dreigroschenoper: Melodram / Pollys Lied's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kurt Weill, Ensemble Modern, H.K. Gruber's "Kurt Weill: Die Dreigroschenoper" album is number 13 out of 28. Based on our statistics, Die Dreigroschenoper: Melodram / Pollys Lied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Dreigroschenoper: Melodram / Pollys Lied by Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | E♭ Major | 1 | 5B | 82 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I: Prelude - Scene 1: Behutsam! (Brigitta, Frank) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | E Major | 2 | 12B | 82 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | G Major | 2 | 9B | 89 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Wesendonck Lieder, WWV 91: Im Treibhaus | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | G Minor | 0 | 6A | 88 BPM | ||
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
Die Dreigroschenoper: Salomon-Song | Kurt Weill, Rolf Boysen, Milva, Rias-Sinfonietta Berlin, John Mauceri | G Major | 0 | 9B | 84 BPM | ||
Wedding Dance | Giora Feidman Sextett | C Minor | 0 | 5A | 56 BPM | ||
Piazzolla / Transcr. Ducros: Chin Chin | Astor Piazzolla, Lucienne Renaudin Vary, Sascha Goetzel, Monte-Carlo Philharmonic Orchestra | E Minor | 3 | 9A | 122 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM |