"Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme)" by Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme was released on April 19, 2024. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karina Gauvin, Valérie Milot, Étienne Lafrance, Pierre McLean, Quatuor Molinari, Pentaèdre's "Marie Hubert - Fille du Roy" album is number 5 out of 21. On top of that, Canada appears to be the country where this track was created. Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) by Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Eylsian Fields | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Les Indes Galantes, 4ème Entrée Les Sauvages, Scène 6 La Grande Danse De La Paix | Eric Fleming | E♭ Minor | 4 | 2A | 134 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Chansons de Miarka, Op. 17: No. 1, Les Morts | Ernest Chausson, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Aria II – Já, Já me vai, Marilia, branquejando | Marcos Portugal, Osvaldo Lacerda, Katia Guedes, Evelyn Ulex | G Major | 0 | 9B | 119 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
When the Whales Came | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Nicole Tibbels | D Minor | 1 | 7A | 81 BPM | ||
Les Hypermnésiques | Raphael Fimm | E Major | 2 | 12B | 115 BPM | ||
Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | F Major | 0 | 7B | 199 BPM |