Wesendonck Lieder, WWV 91: Im Treibhaus

Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis
Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod
7:03 1976年7月1日
テンポ
88
キー
G Minor
キャメロットミュージックキー
6A

リンクを埋め込む

共有

Wesendonck Lieder, WWV 91: Im Treibhaus - Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis 情報

音響性
97%
ダンサビリティ
12%
エネルギー
1%
手段性
0%
活気
10%
ラウドネス
45%
話し言葉
5%
価数
3%
人気
ラウドネス
-32.926 dB

まとめ

"Wesendonck Lieder, WWV 91: Im Treibhaus" by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis was released on July 1, 1976. Since Wesendonck Lieder, WWV 91: Im Treibhaus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #5 out of 7 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Wesendonck Lieder, WWV 91: Im Treibhaus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wesendonck Lieder, WWV 91: Im Treibhaus テンポ

Since Wesendonck Lieder, WWV 91: Im Treibhaus by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wesendonck Lieder, WWV 91: Im Treibhaus being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Wesendonck Lieder, WWV 91: Im Treibhaus キー

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Tempo primoFelix Mendelssohn, John Eliot Gardiner, London Symphony OrchestraE Major012B140 BPM
Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej by Antonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles MackerrasRusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prejAntonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles MackerrasD♭ Major13B62 BPM
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan by Claude Debussy, Anne Sofie von Otter, Bengt ForsbergTrois chansons de Bilitis, L. 90: No. 1, La flûte de PanClaude Debussy, Anne Sofie von Otter, Bengt ForsbergF♯ Major02B85 BPM
Chants Populaires: Chanson Espagnole by David Abramovitz, Claire Brua, Maurice RavelChants Populaires: Chanson EspagnoleDavid Abramovitz, Claire Brua, Maurice RavelG Major09B99 BPM
Strauss, R: 5 Lieder, Op. 48: IV. Winterweihe by Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony OrchestraStrauss, R: 5 Lieder, Op. 48: IV. WinterweiheRichard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony OrchestraB♭ Major16B72 BPM
Stabat Mater: 10. Fac ut portem by Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 10. Fac ut portemGiovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonG Minor06A66 BPM
St Matthew Passion, BWV 244: Part I, No. 1: Chorus St Matthew Passion, BWV 244: Part I, No. 1: Chorus "Come, ye Daughters"Johann Sebastian Bach, Leonard Bernstein, New York PhilharmonicE Minor39A64 BPM
Carmen, WD 31 / Act III: Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen"Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio AbbadoD Major010B98 BPM
Theodora: Aria - As With Rosy Steps The Morn by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry BicketTheodora: Aria - As With Rosy Steps The MornLorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry BicketB Major01B68 BPM
Myrthen, Op. 25: No. 3. Der Nussbaum by Robert Schumann, Margaret Price, James LockhartMyrthen, Op. 25: No. 3. Der NussbaumRobert Schumann, Margaret Price, James LockhartG Major09B65 BPM
ISRC
NLA507500190
レコードレーベル
L-M Records/RCA Records