Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith's 'Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ)' had a release date set for 1999. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice André's "Music for Trumpet" album is number 1 out of 48. Based on our statistics, Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) by Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
For Several Friends: Suite in G Major-minor: I. Fantazie | Matthew Locke, Ensemble Masques | F Minor | 1 | 4A | 109 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": I. Overture | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 112 BPM | ||
Médée, H. 491, Act I: Récit. "D'où vous vient cet air sombre" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM |