Matthew Locke, Ensemble Masques's 'For Several Friends: Suite in G Major-minor: I. Fantazie' came out on January 1, 2001. With For Several Friends: Suite in G Major-minor: I. Fantazie being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthew Locke, Masques's "Locke, M.: Consorts in 2 Parts" album is number 2 out of 59. On top of that, United States appears to be the country where this track was created. In terms of popularity, For Several Friends: Suite in G Major-minor: I. Fantazie is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of For Several Friends: Suite in G Major-minor: I. Fantazie by Matthew Locke, Ensemble Masques to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
The Indian Queen, Z. 630: First Music - First Aire | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 1 | 12B | 121 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Concert À Deux Violes Esgales "Le Retour" (Sainte-Colombe) | Jordi Savall | D♭ Major | 0 | 3B | 86 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | Robert de Visée, Jean Rondeau | D♭ Major | 2 | 3B | 75 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 3 in D Minor: IV. Saraband | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Minor | 1 | 12A | 128 BPM |