"Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia was released on March 4, 2014. With Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Xerxes Ballet: Air pour les esclaves dansants | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 79 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: IV. Alla breve - Adagio | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Intavolatura di Liuto, et di Chitarrone, Book 1: Toccata X | Alessandro Piccinini, Björn Colell | F♯ Major | 1 | 2B | 79 BPM | ||
Balletto N. 2 En Sol Mayor - Ii. Allemanda (Giacomo Facco) | Grupo de musica barroca La Folia/Pedro Bonet | F♯ Major | 1 | 2B | 84 BPM | ||
Sonatae unarum didium, seu a violino solo: Sonata No. 4 | Johann Heinrich Schmelzer, Georg Kallweit, Björn Colell | A♭ Major | 1 | 4B | 104 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Largo | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 61 BPM | ||
Trio Sonata in G Major, TWV 42:G10: I. Cantabile | Georg Philipp Telemann, London Baroque | F♯ Major | 1 | 2B | 99 BPM |