Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown made "Armide: Overture" available on October 28, 2008. The duration of Armide: Overture is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Armide: Overture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Ryan Brown's "Lully, J.: Armide (Opera Lafayette, 2007)" album is number 1 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Armide: Overture is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Armide: Overture by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Armide: Act II Scene 1: Invincible Heros, c'est par votre courage (Artemidore, Renaud) | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 88 BPM | ||
Oedipe a Colone, Act I Scene 1: Recitative. En vain un frere ingrat - Aria. Ma fille est le precieux gage (Thesee) | Antonio Sacchini, Nicolas-François Guillard, François Loup, Nathalie Paulin, Robert Getchell, Tony Boutté, Kirsten Blaise, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D♭ Major | 1 | 3B | 87 BPM | ||
Monteverdi: Messa, salmi concertate et letanie: No. 8, Laudate Dominum omnes gentes, SV 197a | Claudio Monteverdi, Michel Corboz, Ensemble Instrumental de Lausanne, François Loup | C Major | 2 | 8B | 104 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Almira, HWV 1, Act I: Die Nachwelt wird in Diamanten atzen | George Frideric Handel, Ann Monoyios, David Thomas, Douglas Nasrawi, Jamie MacDougall, Fiori Musicali, Andrew Lawrence-King | D♭ Major | 2 | 3B | 93 BPM | ||
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Johann Sebastian Bach, Elizabeth Wallfisch, Lisa Beznosiuk, Malcolm Proud, Orchestra of the Age of Enlightenment | B♭ Minor | 0 | 3A | 135 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM |