"美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌" by Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 was released on April 14, 2021. Since 美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in シューベルト “美しき水車小屋の娘”より11曲〈抜粋〉, so we believe that "美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌" is a single. 美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌 by Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend) | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Ivari Ilja | G Major | 1 | 9B | 84 BPM | ||
Prélude, Choral et Fugue, FWV 21: Fugue. Tempo I° | César Franck, Nikolai Lugansky | D Major | 1 | 10B | 68 BPM | ||
6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige? | Ernst von Dohnányi, Victor Heindl, Mélanie Adami, Judit Polgar | A♭ Major | 1 | 4B | 142 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第19曲 水車職人と小川 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 89 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第1曲 さすらい | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | F Major | 1 | 7B | 76 BPM | ||
Das Veilchen, KochS WoO 27, (J.W. von Goethe) - Lan Rao, Sopran, Micael Gelius, Klavier | Clara Schumann, Lan Rao, Micael Gelius | F Major | 0 | 7B | 67 BPM | ||
Winterreise, D911: Auf dem Flusse | Franz Schubert, Wilhelm Müller, Jonas Kaufmann | E Major | 0 | 12B | 87 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Stabat Mater, Op. 58: VI. Fac me vere tecum flere (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Maximilian Schmitt | D♭ Major | 2 | 3B | 121 BPM | ||
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM |