"Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend)" by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Ivari Ilja was released on January 1, 1998. With Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky's "Hvorostovsky, Dmitri: Tchaikovsky Romances" album is number 5 out of 24. On top of that, United States appears to be the country where this track was created. Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Moy geniy, moy angel, moy drug (My Genius, my Angel, my Friend) by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Ivari Ilja to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | ||
Selige Stunde, Op. 10, No. 2 | Alexander von Zemlinsky, Jonas Kaufmann, Helmut Deutsch | F♯ Major | 0 | 2B | 99 BPM | ||
Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | C Minor | 0 | 5A | 69 BPM | ||
6 Lieder, Op. 1: No. 1. Schwanenlied | Fanny Mendelssohn, Dorothea Craxton, Babette Dorn | G Minor | 0 | 6A | 131 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
Zigeunerlieder Op. 103: VII. Kommt dir manchmal in den Sinn | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 104 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Reflets | Lili Boulanger, Sonia de Beaufort, Alain Jacquon | D Major | 1 | 10B | 85 BPM |