Ernst von Dohnányi, Victor Heindl, Mélanie Adami, Judit Polgar's '6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige?' came out on March 29, 2024. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Dohnányi: 6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige? and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, 6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige? by Ernst von Dohnányi, Victor Heindl, Mélanie Adami, Judit Polgar is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka L. 75 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 0 | 11B | 134 BPM | ||
Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
String Quartet No. 2 in F Major, Op. 41 No. 2: I. Allegro vivace | Robert Schumann, Quatuor Hanson | E♭ Major | 4 | 5B | 109 BPM | ||
Ich steh mit einem Fuss im Grabe, BWV 156: I. Arioso (Arr. for Cello & Piano) | Johann Sebastian Bach, Duo Arnicans | G Major | 0 | 9B | 67 BPM | ||
Fantasie in C Major, D. 934: I. Andante molto | Franz Schubert, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Sonata No. 1 in F Major for Cello and Piano, Op. 5, No. 1 : I. Adagio sostenuto | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | D Major | 2 | 10B | 182 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: IV. Allegro ma non troppo | Robert Schumann, Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | E Minor | 1 | 9A | 85 BPM | ||
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM |