"Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma)" by Vincenzo Bellini, Christa Ludwig, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. The duration of Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. The popularity of Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) by Vincenzo Bellini, Christa Ludwig, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Vivace (lively and fast), since this song has a tempo of 175 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Turandot / Act 1: Padre! Mio padre! (Calaf, Coro, Liù, Timur) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | G Major | 1 | 9B | 125 BPM | ||
Capuleti E I Montecchi, Act I: Se Romeo T'uccise Un Figlio | Felice Romani, Latvian National Symphony Orchestra, Elina Garanca, Vincenzo Bellini | G Major | 1 | 9B | 74 BPM | ||
Verdi: La traviata, Act 1: "Follie! Follie! Delirio vano e questo!" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 1 | 6B | 89 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | F Major | 1 | 7B | 142 BPM | ||
Turandot / Act 2: Die zweite Antwort: "Sì, Principessa!" (Calaf, Turandot, Coro, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Vienna Boys' Choir | D Minor | 4 | 7A | 100 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Pagliacci: Act II: Un uomo era con te (Canio, Nedda, Chorus, Tonio) | Ruggero Leoncavallo, Giuseppe Di Stefano, Vittore Veneziani, Maria Callas, Tito Gobbi, Rolando Panerai, Nicola Monti, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 1 | 12B | 72 BPM |