"Also sprach Zarathustra, Op. 30: I. Sunrise" by Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra was released on 1954. With Also sprach Zarathustra, Op. 30: I. Sunrise being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Strauss: Also sprach Zarathustra, Op. 30; Don Juan, Op. 20; Le Bourgeois Gentilhomme: Suite, Op. 60 - Sony Classical Masters". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Also sprach Zarathustra, Op. 30: I. Sunrise's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: I. Sunrise by Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
March and Canzona in C Minor, Z. 860: March, "Funeral March for Queen Mary" | Henry Purcell, The Philip Jones Brass Ensemble | E Major | 4 | 12B | 139 BPM | ||
Sousa: The Liberty Bell | John Philip Sousa, The Band Of H.M. Royal Marines, Lt-Col. G. A. C. Hoskins, Lieutenant-Colonel G.A.C. Hoskins | B♭ Major | 4 | 6B | 129 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
The Firebird: Scene 2: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving … . | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 1 | 1B | 85 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro | Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" | F Minor | 2 | 4A | 78 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Also sprach Zarathustra, Op. 30: Prelude (Sonnenaufgang) | Richard Strauss, Royal Concertgebouw Orchestra, Bernard Haitink | B♭ Major | 2 | 6B | 77 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D Major | 0 | 10B | 69 BPM | ||
Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Major Peter Parkes, Grimethorpe Colliery Band, Mark Walters | C Minor | 0 | 5A | 74 BPM | ||
Suite No. 1 for Variety Orchestra, Op. Posth.: I. March | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | C Major | 1 | 8B | 93 BPM |