Henry Purcell, The Philip Jones Brass Ensemble's 'March and Canzona in C Minor, Z. 860: March, "Funeral March for Queen Mary"' came out on September 1, 1991. With March and Canzona in C Minor, Z. 860: March, "Funeral March for Queen Mary" being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Radcliffe Williams, Andrew Davis, Marie Goossens, Chapel Royal Choir, Hurwitz Chamber Ensemble, The Philip Jones Brass Ensemble's "Jubilate - Music for The Kings & Queens of England" album is number 14 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, March and Canzona in C Minor, Z. 860: March, "Funeral March for Queen Mary"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of March and Canzona in C Minor, Z. 860: March, "Funeral March for Queen Mary" by Henry Purcell, The Philip Jones Brass Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Prelude a l'apres-midi d'un faune | Claude Debussy, Jan van Reeth, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B Major | 0 | 1B | 61 BPM | ||
Delerue: Day for Night: Chorale | Georges Delerue, Hugh Wolff, London Sinfonietta | F Major | 1 | 7B | 147 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | E Major | 0 | 12B | 67 BPM | ||
The Indian Queen, Z. 630 : Act Ii - Solo (Envy): I Fly From The Place | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A Major | 1 | 11B | 56 BPM | ||
Aquarium | St. Mark's Philharmonic Orchestra | A Minor | 0 | 8A | 132 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Suite gothique, Op. 25: 4. Toccata | Leon Boëllmann, Peter Hurford | F Minor | 1 | 4A | 129 BPM | ||
Sonata No. 8 in G Major, Z. 797: I. Canzona | Henry Purcell, Musica Amphion | D♭ Major | 2 | 3B | 138 BPM |