"Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro" by Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" was released on 1997. With this song being about 5 minutes long, at 4:38, "Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro" by Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 15 in Bach: Baroque Concertos by Johann Sebastian Bach, Pinchas Zukerman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro by Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Nikolaus Harnoncourt, Vienna State Opera Chorus, Rachel Yakar | D Minor | 1 | 7A | 93 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Toccata and Fugue in d monor, BWV 565 | London Pops Orchestra, Nelson Corbin | D Minor | 2 | 7A | 68 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Scherzo in D Minor | Pavel Kogan, Moscow State Symphony Orchestra | D Minor | 4 | 7A | 121 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Ton Koopman, Monica Huggett, Alison Bury, Amsterdam Baroque Orchestra | D♭ Minor | 3 | 12A | 102 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Jean-François Paillard, Gerard Jarry, Pierre Amoyal, Orchestre de chambre Jean-François Paillard | C Minor | 2 | 5A | 96 BPM |