"Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries" by London Philharmonic Orchestra was released on September 15, 2005. With this song being about 5 minutes long, at 5:11, "Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries" by London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 99 in the song's album "The 99 Most Essential Classics of the Romantic Era". In this album, this song's track order is #40. In terms of popularity, Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries by London Philharmonic Orchestra having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Toccata And Fugue In D Minor, BWV 565: I. Toccata | Johann Sebastian Bach, Wolfgang Rübsam | D Minor | 2 | 7A | 129 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 106 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
The Armed Man - A Mass For Peace: VII. Charge! | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | F Major | 6 | 7B | 103 BPM | ||
Fantasia on a Theme by Thomas Tallis (opening) | Sir Adrian Boult, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 68 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Carmen Suite No.1: Prélude | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM |