"The Armed Man - A Mass For Peace: VII. Charge!" by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra was released on 2001. Since The Armed Man - A Mass For Peace: VII. Charge! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #7. In terms of popularity, The Armed Man - A Mass For Peace: VII. Charge! is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Armed Man - A Mass For Peace: VII. Charge! by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Rigoletto: La donna è mobile | Giuseppe Verdi, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B Major | 1 | 1B | 77 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell, Peter Manning | E♭ Major | 0 | 5B | 77 BPM | ||
8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | ||
Tintinnabulum | Karl Jenkins, Mike Ratledge, Adiemus, London Philharmonic Orchestra, Jody K. Jenkins, Miriam Stockley, Mary Carewe, Frank Ricotti | C Major | 3 | 8B | 150 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | ||
Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | G Major | 2 | 9B | 81 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM |