"Fantasia on a Theme by Thomas Tallis (opening)" by Sir Adrian Boult, London Philharmonic Orchestra was released on 2005. Fantasia on a Theme by Thomas Tallis (opening) is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Movie Classics (Favourites)" album is number 3 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Fantasia on a Theme by Thomas Tallis (opening) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia on a Theme by Thomas Tallis (opening) by Sir Adrian Boult, London Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | B Minor | 0 | 10A | 140 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Theme | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) | Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D♭ Major | 2 | 3B | 86 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
All Imperfect Things | Michael Nyman | A Minor | 2 | 8A | 113 BPM | ||
Sergio Leone Suite: Deborah's Theme from "Once Upon a Time in America" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | E Major | 2 | 12B | 85 BPM | ||
I giorni (Arr. For Violin, Piano And String Orchestra) | Ludovico Einaudi, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | D Major | 1 | 10B | 75 BPM | ||
Time to Say Goodbye | Orchestra, David Abel | G Major | 2 | 9B | 81 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | C Minor | 2 | 5A | 166 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM |