"Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio" by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin was released on July 10, 2015. The duration of Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 40 in Classically Chilled by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rodrigo: Concierto de Aranjuez for Guitar and Orchestra - Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio by Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Old Refrain (Kreisler) | Angele Dubeau, Ensemble Amati, Raymond Dessaints | C Major | 1 | 8B | 159 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Solitude sur la montagne | Ole Bull, Charlie Siem, Paul Goodwin | D Major | 1 | 10B | 98 BPM | ||
The Tender Land Act II: Finale | Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra | F Major | 1 | 7B | 66 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | E Major | 0 | 12B | 113 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, BBC National Orchestra Of Wales, Andrew Constantine | E♭ Major | 1 | 5B | 55 BPM |